The Rolling Stones LIVE REVIEW: The Stones roll back the years with golden hits

May 23, 2018
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Billed as the No Filter tour, The Stones have been live and raw since the days of their first show at The Marqee in 1962.

And that feral in your face attitude remains, if somewhat fine tuned, as the band has evolved over their continuing glory years.

Bursting onto the stage to the chimes of Street Fighting Man, Mick Jagger could dance on a sixpence upon a table, such is the poise and focussed concentration that he visibly applies to his legendary stagecraft.

And that voice is still recognisably earth shatteringly loud as the trumpets that brought down the walls of Jericho.

Not averse to kicking out a leg as he crunches into another solid gold riff, Keith Richards remains the acme of rock ‘n’ roll splendour.

Smiling and chuckling throughout he, and a revitalised Ronnie Wood, revved up the classic riff to It’s Only Rock ‘n’ Roll before falling into the timeless licks of Tumbling Dice.

Three unsurpassable opening numbers that shoot out of the speakers, smashing into the ears of their euphoric fans in this sold out former Olympic stadium.

And the classic hits kept on coming with Ronnie Wood playing the lead on sitar sounding Paint It Black.

A cover of Jimmy Reed’s Ride ‘Em On Down revealed the band’s early blues influences.

Fan poll favourite Under My Thumb found Charlie Watts expertly locking down the groove, as he does so effortlessly night after night.

The set list surprise of the show was a passionately delivered Fool To Cry, not played live since 1999, with Jagger tearing apart the emotional lyrics with a heart-wrenching delivery.

The soulful rock take on Honky Tonk Women had the entire crowd busting their party dancing moves.

Totally locked in with the band, it was a remarkable sight to witness the almost supernatural rapport that both band and fans share between each other.

A mid-set interlude where Richards took the solo lead on Before They Make Me Run and Slipping Away, set the stage for a killer performance on Sympathy For The Devil.

With the stage set lit in dark hues of red flame, Jagger’s by now immortal line ‘please allow me to introduce myself’ set up a devilish take on this song.

And the audience delighted in this unique frontman’s energetic dancing as he raced down the ego-ramp that jutted out into the floor standing area.

A golden jukebox of hits flowed like nectar from the Olympian gods themselves.

A fabulously funky Miss You, Start Me Up, Jumping Jack Flash and Brown Sugar kept the entire stadium dance floor bustingly busy.

Encores Gimme Shelter and Satisfaction reinforced the rock ‘n’ roll golden thread of hits that make up the fine tapestry of this ageless body of work. And judging by tonight’s show and audience reaction, it’s an enduring body of work that still lives and breathes, at its best performed onstage by these unfailing living legends of rock.



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